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“Magnolia” is many, many (many) things, but first and foremost it’s a movie about people who're fighting to live above their pain — a theme that not only runs through all nine parts of this story, but also bleeds through Paul Thomas Anderson’s career. There’s John C. Reilly as Officer Jim Kurring, who’s proficiently cast himself as being the hero and narrator of the non-existent cop show in order to give voice to the things he can’t acknowledge. There’s Jimmy Gator, the dying game show host who’s haunted by each of the ways he’s failed his daughter (he’s played because of the late Philip Baker Hall in one of the most affectingly human performances you’ll ever see).
“Eyes Wide Shut” may not seem to be as epochal or predictive as some with the other films on this list, but no other ’90s movie — not “Safe,” “The Truman Show,” or even “The Matrix” — left us with a more precise sense of what it would feel like to live from the 21st century. Within a word: “Fuck.” —DE
Some are inspiring and assumed-provoking, others are romantic, funny and just plain entertaining. But they all have 1 thing in widespread: You shouldn’t miss them.
The film’s neon-lit first part, in which Kaneshiro Takeshi’s handsome pineapple obsessive crosses paths with Brigitte Lin’s blonde-wigged drug-runner, drops us into a romantic underworld in which starry-eyed longing and sociopathic violence brush within centimeters of each other and lose themselves in the same tune that’s playing over the jukebox.
The movie was influenced by a true story in Iran and stars the particular family members who went through it. Mere days after the news merchandise broke, Makhmalbaf turned her camera around the family and began to record them, directing them to reenact specific scenes according to a script. The ethical issues raised by such a technique are complex.
Montenegro became the first — and still only — Brazilian actor being nominated for an Academy Award, and Salles’ two-hander reaches the sublime because de Oliveira, at his young age, summoned a powerful concoction of mixed emotions. Profoundly touching nonetheless never saccharine, Salles’ breakthrough ends with a fitting testament to The reasoning that some memories never fade, even as our indifferent world continues to spin forward. —CA
Seen today, steeped in nostalgia to the freedoms of a pre-handover Hong Kong, “Chungking Convey” still feels new. The film’s lasting power is especially impressive during the face of such a fast-paced world; a world in which nothing could be more useful than a concrete offer from someone willing to share the same future with you — even if that offer is published with a napkin. —DE
Davis renders period piece scenes as a Oscar Micheaux-motivated black-and-white www xxxvideo silent film replete with inclusive intertitles and archival photographs. Just one particularly heart-warming scene finds Arthur and Malindy seeking refuge by watching dropmms a movie inside a theater. It’s brief, but exudes Black Pleasure by granting a rare historical nod recognizing how Black people on the past experienced more than crushing hardships.
With each passing year, the film concurrently becomes more topical and less shocking (if Weir and Niccol hadn’t gotten there first, Nathan Fielder would likely be pitching the particular thought to HBO as we converse).
Description: Once again, justin’s stepdad is late to pick him up from baseball practice! Coach thomson can’t wait around all day long, so he offers the baby-faced twink a ride home. But soon, the coach starts to acquire some ideas. He tells the boy how special he is and proves it by putting his tamilsex hand on his dick.
Utilizing his charming curmudgeon persona in arguably the best performance of his career, Invoice Murray stars because the kind of guy not one person is fairly cheering for: wise aleck Television set weatherman Phil Connors, who's got never made a gig, town, or nice lady he couldn’t chop down to size. While Danny Rubin’s original script leaned more into the dark components of what happens to Phil when he alights to Punxsutawney, PA to cover its once-a-year Groundhog Working day event — for the briefest of refreshers: that he gets caught in a time loop, seemingly doomed to only ever live this alexis texas Weird holiday in this awkward town forever — Ramis was intent on tapping into the inherent comedy of the premise. What a good gamble.
Making the most of his background like a documentary filmmaker, Hirokazu Kore-eda distills the endless possibilities of this premise into a number of polite interrogations, his camera watching observantly as more than a half-dozen characters try to distill themselves into 1 perfect instant. The episodes they ultimately choose are wistful and wise, each moving in its own way.
There are manic pixie dream girls, and there are manic pixie dream girls. And then — 1,000 miles beyond the borders of “Elizabethtown” and “Garden State” — there’s Vanessa Paradis being a disaffected, suicidal, 21-year-aged nymphomaniac named onlyfans porn Advertisementèle who throws herself into the Seine at the start of Patrice Leconte’s romantic, intoxicating “The Girl about the Bridge,” only for being plucked from the freezing water by an unlucky knifethrower (Daniel Auteuil as Gabor) in need of a new ingenue to play the human target in his traveling circus act.
centers around a gay Manhattan couple coping with massive life changes. One among them prepares to leave for just a long-time period work assignment abroad, and the other tries to navigate his feelings for the former lover that's living with AIDS.